The show Must go On

Ooooh, Ma, Oooh PaMust the display go on?Ooooh, Pa. Take it me homeOoooh, Ma. Allow me goDo I have to stand upWild eyed in the spotlight?What a nightmare. WhyDon"t i turn and run.There need to be some mistakeI didn"t mean to allow them Take far my soul.Am I too old, is it also late?Ooooh, Ma, Ooooh Pa,Where has the emotion gone?Ooooh, Ma, Ooooh Pa,Will i remember the song?The display must go on.

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Song In A Sentence:With different drugs warring within his body, thoughts of war and childhood reeling within his head, and also his bricks dragging him more into mental decay, Pink wonders whether he have the right to perform in ~ his concert as expected before deciding the the show must walk on.

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In the brief moments after gift resuscitated indigenous his self-induced comatose state and also before acquisition the phase at his concert, Pink experience a moment of psychological clarity in which the last vestige that sanity just briefly given a voice in previous songs breaks v to appraise his existing state. While the theatrical layout of the song stands in comparison to the ethereal “Comfortably Numb,” it serves well as a prelude to the over-the-top high quality of the album’s critical half. In one sense it’s just fitting that “the display Must go On” is written through such Flesh2-1choral theatricality because Pink, much like one actor wait in the wing’s that the playhouse, is about to take it the stage of his own concert. This idea that rock-star-as-actor has actually been touched on transparent the Wall, most notably in the imagery the the “disguise” the in the beginning Pink invites his audience come claw their way through. The theatrical spectacle that the album’s last half conveys the larger-than-life persona that Pink adopts for himself. Yet undercutting the music showiness is one idea that is equally prevalent throughout the album – that of the hollowness of such illusions. This face that Pink puts on because that his fans, after all, is merely one more mask, a disguise, a persona spanning over the quite flawed, human being soul beneath. Therefore while its theatricality creates a bombastic air, the lyrics reveal the really stunted, very apprehensive, really human individual beneath.

Part the Pink’s human frailty is put front and center in the childish tantrum the the choir’s lyrics, crying for “Ma” and “Pa” to “take me home” and “let me go.” not the an initial time he’s reverted ago to childlike emotions once stuck in ~ an impasse, below Pink seemingly calls the end for mommy and also daddy to rescue him from the life and also the wall he has actually created. Concepts of home again resurface, but as before Pink is no closer come finding that personal center of patience he’s longed for. Instead, the choir, like a misbehaving child, calls the end for “Ma let me go,” perhaps referencing his mother’s overprotective grasp and his partial desire come be exit from life chin (whether symbolically, through his wall, or literally, with suicide).

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The italicized lyrics above (printed in the album artwork, sung in concert, yet cut from the album mix of the song) converts the blinding spotlights of his stage show with the of the consistent scrutiny the stardom, his “wild eye” reminiscent of his drugged-out rigid in “Nobody Home.” Not simply apprehensive about performing in his existing state, Pink is terrified, wanting nothing more than come “turn and also run” and retreat earlier into himself. In the lyrics that actually made it come the album, Pink sings the the impending “show” in a method that alludes come both his concert and also his wall. The faint “they” mr up once again in Pink’s questioning, much as it did during the verses of “Mother.” here he sings exactly how he “didn’t average to allow them take away my soul,” though never ever clarifies if the “them” is the audience in ~ his concert, because that whom the feels he have to put ~ above the mask of absent Star; his record company, at whose beck and also call that feels he have to perform; or even the bricks that his wall, which, piece by piece, have robbed that of the person he could have been. Likewise, the missing “feeling” might refer come just about anything, native the (now absent) ambitious he once had actually to be a renowned rock star, to the feeling that influenced the song he make (most songwriters note that your songs become less emotionally / coherent for them the much more they carry out it, and understandably so), or also something akin to the “fleeting glimpse,” feelings that he once had actually within his grasp yet lost in the zero of his wall. Paralleling the heat in “Mother” in which the asks if Flesh2-2″they’ll like this song,” Pink finally wonders if he’ll even have the ability to perform in the state he’s in, questioning “Will i remember the song?” in spite of the deck gift stacked against him, Pink concludes through that old theatrical adage that “the display must walk on,” readying himself to take to the phase in “In the Flesh.”

Taking a much more figurative strategy to the last line casts “the show Must walk On” together Pink’s own “To it is in or no to be” soliloquy native Hamlet. In this minute of (near) psychological clarity, Pink begins to establish the important deleterious effects of his wall, singing just how it has actually taken away his personality (“my soul”) and also his emotions, his humanity (“the feeling”). For a brief second he is confronted not just with the after-effects of his plot but additionally the fateful decision the what to perform next. Though at an initial he desires nothing more than for Ma and also Pa to “take me home” and “let me go,” fairly than “turn and run” Pink decides the he must go on through the path and the persona he’s developed for self – a path that will quickly lead to decay and moral corruption, yet ultimately redemption.