There was a reason Richard Marx flashed throughout the screen during the video clip for Vixen's breakout 1988 solitary "Edge of a broken Heart." that co-wrote the track with dues Waybill, frontman because that the Tubes; Marx likewise co-produced and also played keyboards on the track.

You are watching: Living on the edge of a broken heart

That assisted Vixen to your highest-ever spot on the Billboard charts, together this strength ballad fight No. 26. The monitor up from their gold-selling self-titled debut, "Cryin'," was likewise a top 40 hit, but Vixen will likely always be most associated with their first single.


Marx, who just released Stories to Tell: A Memoir, joined united state for an exclusive interview to comment on how he and the always-creative Waybill developed the song, their enduring friendship, and also whether the regrets not keeping "Edge that a damaged Heart."

Vixen’s “Edge that a damaged Heart” has constantly seemed choose a hell that a tune to give away. What sort of remorse did friend have?I’ve never had actually remorse in those circumstances, even then. In the situation of “Edge that a damaged Heart,” I created that tune in a heartbeat. I had actually to. I had to create it yes, really fast. I composed the music so rapid in a hotel room, and I take method longer to compose lyrics. I referred to as Fee Waybill, that is not only my finest friend, but one the the biggest lyricists of every time. Ns said, “You’ve acquired to rein in her weirdness on this one. It needs to be method more commercial. You can’t use words favor ‘perfunctory.’” dues throws words right into his songs that space so cool! but it’s so not commercial.

He interpreted the mission and he fuckin’ nailed the lyric overnight. I ran in to create the record and also as that song pertained to life, i knew it was really great and ns was therefore proud the it. But I composed it because that them; ns never even thought around it for me. I’ve never had actually that thought, “Oh shit, ns shouldn’t have provided that tune away,” because the mission was to supply them the song.

Plus, if you think around it, i benefited from it anyway, since I placed it in my live show and also I started closing mine concerts through it. When it came to be a hit for them, i would placed it in mine show. What was funny to be that most of the audience, lock didn’t read liner notes, so they were like, “Why is he extending a Vixen song?” lock didn’t know that I wrote it!

Watch Vixen carry out 'Edge the a broken Heart'


It doesn’t sound like the guy from the Tubes and also Richard Marx composed a track for Vixen. You both are really great at being shapeshifters creatively. What was most surprising come you around Fee when you met the man behind the tube persona?First of all, how very bright and well check out he is and always has been. He’s a poet. I sort of had a feeling that he to be going to be funny because his entirety stage persona, this is a man who does no take himself also seriously – or anyone else seriously. He doesn’t offer a shit that you are: He’ll bust your balls all day long. I like civilization like that. Fee has actually been a stabilizer in my life. I was so lucky to end up being close to Fee prior to my career took off. I was really simply a songwriter who he composed a track with for his solo album – years before my first album.

It to be writing with him for his Read mine Lips album – i m sorry is a good album, i think – the cemented our friendship, but additionally our cooperation relationship. I just remember thinking, “This is easy. I create the music and he writes great lyrics.” we started just writing together. As soon as I got my record deal, there was no inquiry I want to write with Fee and also have him sing, since I love his voice.

Look, once I met Fee, ns was simply a huge Tubes fan. Come think that the man from the Tubes would certainly not only come to be my friend, but my son’s godfather and frequent collaborator, is awesome. So lot of Fee, the depth the Fee, to be a surprise. Anybody the spends a tiny time with him, you’ll go, “Oh yeah, there’s numerous layers to this guy.”

Listen to Richard Marx carry out 'Edge the a broken Heart'


Was the intimidating because that you, finding that initial collaboration with Fee?It was just intimidating in the way that it to be intimidating no matter who i was working with at that time, because I really wanted to win. I wanted to execute the job and I wanted them to love what ns was doing. I want to success – not even succeed in the bigger picture, however succeed in that moment.

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This is true of every one of these people and, come a degree, it still exists in me yet I remember gift in my apartment in Westwood, Calif., waiting for fee to come to write that song, i m sorry was dubbed “Who Loves Ya Baby.” I already had an idea. I had a small bit of one idea going, however I to be nervous and also I psychic thinking, “I simply want the to choose this idea. I want to create a great song that he wants to record.”

It was so fun and effortless. Immediately, I started singing stuff and he to be like, “Oh yeah, I prefer that! That’s cool! Wait, sing it again!” and also that’s the means it has always been. When in a while, I’ll begin working top top something with Fee and he’ll go, “I don’t know, Ricky! ns don’t know!” when you have that freedom to be yourself and also to no be polite – there have actually been times when I’ve stated to him, “Dude, girlfriend can’t song that lyric. You’ve obtained to adjust that word. I can’t song sphincter in this ballad. I’m sorry!”


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